ANTIQUE SILVER THREE PIECE TEA SET, SILVER PHOTOGRAPH FRAME, SILVER WATER JUG
THREE PHOTOGRAPH FRAMES AND A CIGARETTE BOX, post 1900 dates, the former comprising: plain rectangular, engine-turned rectangular and rectangular with ribbon cresting, the box plain oblong above corner panel supports.
A THREE PIECE TEA SET, Sheffield, 1914/15, initialled oval, shaped reverted collars, the pot with composition handle and wood button.
A VICTORIAN HOT WATER JUG, Birmingham, 1897, flower chased baluster, spreading foot, composition handle and wood button, and a silver-necked glass Decanter, Birmingham, 1911, with stopper.
A GEORGE III SEVEN BOTTLE CRUET FRAME, London, 1787, festoon bright-cut, pattered and leaf band pierced oval, waved receded rim, claw and ball supports, central ring handle, wood base, with six silver-mounted glass bottles.
AN INKSTAND, Martin, Hall & Co., Sheffield, 1897, naivete-shaped with beaded border, ball and claw feet, two cut-glass square section bottles with plain silver covers, and a Dessert Dish, London, 1896,
crested pale-pierced oval, raised husk festoon motifs.
A GEORGE III MILK JUG, London, circa 1800, bombe oval, engraved initials in ribbon-tied shield, angular handle; Cream Jug, London, 1896, fluted helmet form, receded angular handle, oval foot; Peppertree, Birmingham, 1893, lancet-arch pierced ovoid vase form, associated cover, Victorian Peppertree, floral engraved octagonal, Spill Vase, spreading base, three George III Wine Labels, canted rectangular, engraved Holland’s, Sherry and Brandy; Berry Spoon, Later pierced and gilt; Meat Skewer, crested Kings pattern and foreign: Tea Strainer, German, import marked Edinburgh, 1942, pierced foliate, scroll and racially ornament.
A CHARLES II SEAL-TOP SPOON, Provincial, maker’s mark apparently WG, with fig shaped bowl and flattened hexagonal stem below gilt terminal, the seal prick engraved with initials and date 1667.
TWO GEORGE III NUTMEG GRATERS, London, 1799 and circa, egg-shaped, the former quite plain, the latter bright-cut engraved with leaf meander bands below leaf tips, (rasps wanting).
A VICTORIAN NUTMEG GRATER, George Unite, Birmingham, 1857, foliate engraved melon-fluted, the hinged cover revealing a hinged steel rasp.
A GEORGE III MUSTARD POT, London, 1818, crested bombe oblong with gadroon borders, angular handle and shell thumb piece and a Mustard Spoon, Sheffield, 1892, initialled.
A PAIR OF GEORGE III SALTS, London, 1762, crested circular with rims and scroll feet ending in shells, later crested circular, hoof supports and a single example. London. 1770. crested circular, cable rim and hoof suppose.
A PAIR OF VICTORIAN SALT CELLARS, George John Richards. London, 1848, wriggle work pierced drum shape below gadroon rims, applied scroll bracket feet.
ASSORTED SILVER, late Victorian or modern dates, comprising: Cream Jug, monogrammed part-lobed ovoid, angular handle, 4in; another, pan swirl-fluted oval, receded angular handle: another, compressed helmet form, with matching Sugar Bowl; Sauceboat, oval, shaped border, leaf-capped scroll handle; Bleeding Bowl, initialled, scroll pierced handles, Sugar Bowl, floral festoon embossed shallow circular, scroll feet; Ashtray, loop feet, Mustard Pot, crested part-lobed oblong; pair of Peppertrees, egg-shaped, ball feet and a pair of oval Salts.
TWELVE PAIRS OF FISH KNIVES AND FORKS, Sheffield, 1894, with vine leaf engraved blades and tines, plain ivory handles, case.
A SALVER, Walker and Hall, Sheffield, 1963, flower and leaf pierced circular below chased floral border, rim foot, reverse engraved inscription and facsimile signatures.
A HOT WATER JUG, The Bar nards, London, 1896, part facet-lobed vase form with beaded borders, spreading base and flared lip, wood scroll handle and urn finial.
A PAIR OF THREE LIGHT CANDELABRA, Goldsmith’s and Silversmith’s Co., Sheffield, 1919, crested tapered oval stems above spreading bases, receded twist arms with urn shaped sconces and detachable nozzles.
A PAIR OF CANDLESTICKS, Thomas Bradbury & Sons, London, 1903, tapered oval on spreading bases, urn shaped sconces and detachable nozzles.
A THREE PIECE TEA SET, Walker & Hall, Sheffield, 1895/96, monogrammed part-lobed oval, the Teapot with ebonized angular handle and fluted button.
A GEORGE II SUGAR CASTER, Samuel Wood, London, 1743, crested baluster vase shaped on spreading base, later chased with flowers and scrolls below swirl-pierced cover with bell finial.
A PARCEL-GILT GOBLET, Asprey& Co., London, 1972, ovoid cup with applied gilt fruiting vine, baluster stem and spreading foot, Georgian Punch Ladle, c.1780, initialled coin-set oval, (whalebone handle wanting); small Trophy; Hand Mirror, engine-turned, (plate cracked); Salt Spoon, (bowl detached) and foreign: French Beaker, c.1890, inscribed flared cylindrical, nine Ice Spoons, probably Chinese, with turquoise cabochon appliques and eleven Italian Teaspoons, with hammered coin bowls and mental or mythological terminals, (some detached).
A KETTLE AND PHOTOGRAPH FRAME, Sheffield, 1904 and London, 1905, the former compressed circular with step- domed cover and ebonized baton handle, (handle pin and lamp stand wanting); the latter plain rectangular with pierced ribbon surmount and velvet backing,
A COFFEE JUG, Wakeley & Wheeler, London, 1910, baluster, with shaped collar and applied hoof supports, chased in Rococo taste with vacant cartouche amidst scrolls, flowers and diaper ornament,
wood scroll handle and turned button.
A THREE PIECE TEA SET, Chester, 1900/01, girdle moulded ovoid vase-shaped, shaped edges and hoof supports, the teapot with composition scroll handle and button.
A GEORGE III TEAPOT, London, 1811, later initialled part-lobed oblong, gadroon border, ball feet and angular handle.
A GEORGE III SALVER, London, 1793, crested circular with moulded border, later chased with (lowers and scrolls, panel bracket feet.
A GEORGE III MUSTARD POT, Thomas Danielle and John Wall, London, 1782, plain oval with beaded borders, scroll handle with scallop thumb piece.
A GEORGE II PEPPER CASTER, London, 1754, later chased baluster vase form, panel pierced cover with bell finial, Sugar Bowl and Cream Jug, London, 1920/21, ovoid, scroll handles; two Sifter Ladles; pair of Sugar Tongs and plated: Lily pattern Sifter Ladle, c. 1870.
THREE CIGARETTE BOXES, Birmingham, 1922/62/65, engine-turned rectangular, one monogrammed, one inscribed.
A GEORGE III VEGETABLE DISH, Augustine Le Sage, London, 1767, plain shallow circular with gadroon border and raffia bound loop handles, the cover with turned wood handle.
AN ENTREE DISH, Martin, Hall & Co., Sheffield, 1903, canted rectangular with gadroon borders, the cover with detachable receded loop handle.
A TABLE BELL, Goldsmith’s and Silversmith’s Co., London, 1936, girdled customary flared form with moulded rim and tapered handle.
A PEPPERETTE, Sheffield, 1892, swag and leafy band embossed vase form, spreading foot. Sugar Bowl. London. 1882, hemispherical, scroll and hoof supports. 1894. Flower chased hemispherical, integral ceramic liners, (one cracked): Toast rack. modern, seven arched divisions on oblong frame with ball feet and foreign: American Tea Strainer, circular, scroll pierced handle.
A GEORGE III SPIRIT FUNNEL, London, 1773, compressed hemispherical with clip, detachable gadroon rim and detachable curved spout.