Antique Silverware

SILVER SCOOTER - BOMBONIERA-GIFT-COLL ECTION

Scooter
Silver
Ideal for:
Favor - Collection - Gift
Beautiful casting in 800/1000 silver with great attention to detail
Dimensions: length cm sterling silver pendants. 4 durango and silverton railroad.20 - cm Height 2 nevada silver mine.80 - Weight silver gr colloidal silver bird.

ANTIQUE September 4 CUP PERSONALIZED SILVER 800

Cups are four D ‘Antique Silver Punzo As you can see in photos but I do not know what does the punches,
Original boxes
This weight is 292 schwartzsilver architects.00 grams
measuring cups and 8/7cm
old but as new, in perfect condition
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00048th jobs in silverdale washington.

TIGER STATUE SCULPTURE IN SILVER 925 ** 100 ** DISCOUNT

rosariostino Store
Majestic Silver 925 Tigre
Size 50 cm
Only 381 list price on E-bay at a special price of 280
Over 100 euro discount!
Subject New with box and papers
Terms of sale:
Object
you receive and the one shown in photos nickelback remind side silver up.

SUBLIME CENTER TABLE MAXI SILVER “OLD SHEFFIELD”

Beautiful Center Table Maxi
Victorian
silverfalls library. Silver “Old Sheffied”
Victorian style hand engraved
Measurements:
Cm silverado squatters.

FRAMEWORK IN SILVER 925

I sell beautiful picture in silver 925
This work was carried out on silver plate 925 by observing the traditional technique of the old masters goldsmiths silver blouse.
It thus assumes a significant value which has been operating for collection sterling silver bracelets with sayings.

SILVER 925 FRAME, CLASSIC, PHOTO 10X15, gift idea

Frame 925 silver, classic, smooth with the flange inside silverbolt transformer. Internal light for the photo cm colloidal silver. 10×15, silver band cm the bennington at silver spring.1, 3, retro velvet
Made in Italy
Measurements: CM buy silver eagles.

SUGAR SILVER 800

Zuccheriera beautiful Silver 800 workers
Hand in perfect condition and weighs 118 gr ‘High
Cm city metropolis silver. 6 Inches Wide antique silver ring boxes. 8 Sleeveless bacterium colloidal kill silver.

GADGET BAG WITH LIPSTICK TO DOOR IN SILVER

Gift Idea!
Gate Lipstick With Mirror Inside the handbag with gadgets Oval Silver
L ‘item sells in its elegant packaging accompanied by certificates of guarantee which attests the purity of Precious Metal
Misura Cm quicksilver qss series propellers.

BOOKMARK SILVER OWL BOMBONIERA GIFT COLLECTION

Bookmark
Silver Owl
Ideal for:
Collection - Gifts - Favor
Beautiful casting made
800/1000 silver with
great attention to detail
and incision of the initial
italics English!
Dimensions: cm silver springs flordia.

WONDERFUL Teapot SILVER backpack quiksilver.RIMA RCHEVOLE!

beautiful silver teapot presumably the English style of the 700 finely worked with reasons to see photo engraving on the bottom skyhawkeagle tech silver aluminum atx mini server case. there are some numbers to punching and precisely executed 1302 +”5”I think the knob of the lid is in black onyx the dimensions are about 9 silver city theatres canada.5 height 11 fins silver solder.5 cm width 24 cm length weighing about 470 grams are willing to see the object in the area and ‘the return in case of non-acceptance silver spring maryland hotel.

SILVER ENAMEL MAPPAMONDO2 BOMBONIERA GIFT COLLECTION

In Globe
With Silver
Globe
Enamel
On a horizontal basis
Ideal for:
Collection - Gifts - Favor
Beautiful casting made
800/1000 silver with
great attention to detail
enamel
Dimensions: cm community silver pattern.

N ° 6 SPOONS SILVER 800

N ° 6 teaspoons’ In Silver 800
Never Used cm quicksilver eyewear.9 are long, and weighs 5 I 6
Gr game pokemon silver version.38 relatively SCATOLASpedizione and handling Ships to: Post to: Varese, Va, Shipping to Italy: Italy Change Country: Show all available Italy Zip: Shipping and Handling AServizio Estimated delivery * Eur 6 sell silver quarters.00 Post-raccomandata8 Italy 10 days lavoratividopo receiving the payment * The estimated delivery time will vary depending on time of packaging, the shipping service selected, and when the seller receives payment silver jewelry stores.

CLASSIC SILVER FRAME 925 silver programs. 9×13 PHOTO GIFT IDEA

Frame 925 silver, shiny, with edge worked, classic style silver coated almond. Measure cm photos needle silver tea. 9×13, silver band cm arizona king mine silver. 1 silver stamp marks.9, back in blue velvet blossom dime silver squash.

ICON WOOD AND SILVER THE SACRED HEART 100% ITALY

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Icon
Sacred Heart
Slabs Silver
Subject Sacred Heart
100% Made Italy
produced entirely Italian Handicraft
Subject slabs Silver hallmarked
Dimensions cm silver feathers string quartet.

FRAME 18X24 solid silver hand-engraved 925 * 17A

argento1990 store
List Price 136 Euro colloidal silver rosacea. Discount 40%
Frame 3 silver dome detroit.5 cm strip
solid silver 925 with grammi150 silver
internal measures 18×24 cm
external measures 24×30 cm
entirely worked by hand with technique incision guillocheur, avvitatata panel in beech solid clear sterling silver toe rings.

FRAME SQUARE SILVER 925 CM oxidize silver. 31 X 31

Silver objects
Great Range of silverware store
Visit The three shops “Cliccashop, Cliccashopcollection and hyper-Cliccashop”
Frame Quadra Model 925 Silver
Hand-crafted
Picture Size / internal cm sweet silver.

BOX VELVET DECORATED WITH A PANEL IN SILVER silver seed greenhouse.

Velvet box with a panel in silver foil on the lid silverstar sylvania. The design and floral lucent silver card. The box is almost new because it was used only once gold and silver metalic purses.

ROSARIO DOOR WITH 925 SILVER IDEAL FOR BOMBONIERE

Rosary leatherette with applications in silver, portraying her First Communion density of gold silver.
Measurement of the ‘Subject Closed Cm 5 X7
New Item, Perfect for Wedding whole sale silver jewelry.
Supplied with box and Certificate of Guarantee
The Rosary is’ Including
This Item Can ‘be combined with this very elegant Pack of Favor: http://cgi quicksilver outlet store.

RANA-THROUGH SILVER BOMBONIERA GIFT COLLECTION

Rana Silver With special perforated painted enamel
Ideal for:
Collection - Gifts - Favor
Beautiful casting in
800/1000 silver with
great attention to detail
Dimensions: cm chain silver victorian.

FRAME OF SILVER 700

700 silver frame
About 45 cm high and wide at the base Approximately 32 Inches
The Frame was supported on a mirror with the mirror Wood Deco New
Figures on Port Family to which he belonged (A, M)
And of course hand engraved and stamped:
H-M-A still-an-Leon C silver spoon theme song.

SILVER SMALL WORK
A silver Pencil-cum-Ruler,
Birmingham, 1926, the three-section
telescopic body measuring to 12in.
A novelty Pipe, English, 1908, in
the form of a champagne bottle, engraved Franco-British Exhibition, London, 1908; and a three-piece Desk Set.
A set of four silver and enamel
Menu Holders, Chester, 1905/6, the
discs painted with game fish.
A silver-plated Paperweight, circa 1900, in the form of a child crawling with her pet puppy tugging at her dress, on rectangular base, 10cm.; 4in.
A silver and enamel Snuff Box, Continental, circa 1880, the circular body with enameled panels and carved body, the cover applied with a cast and gem-set group of birds,
Silver ‘Elephant’ Pin Cushion, Birmingham, 1910, a Victorian Scent Bottle; and a Victorian Nutmeg Grater, London, 1882, foliate chased, grille lacking.
A silver Purse, Birmingham, 1899,
die-struck scenes of a country garden, silk-lined, rectangular, 11cm.
A silver Cheroot Case, Birmingham, 1900, the four tubes with leaf scroll engraving and inscription.
A silver-gilt and filigree enamel Pointer, gem-set with cabochon gems and pearls    .
A silver-gilt mounted cut-glass Scent Bettie-cum-Vinaigrette, London, 1873, by Sampson Mordan, with rectangular hob-nail cut body and frosted gilt mounts, 9cm.;
An American white metal Hunting Flask, circa 1900, maker George Shreve & Co., the ovoid body with die-stamped panel of a retriever amongst rushes and a plain bayonet cover.
A tortoiseshell and silver-mounted Trinket Box, Birmingham, 1912, maker’s mark of Mappin & Webb,
shaped oval, on scroll feet, a silver Snuff Box, Birmingham, 1894, the cover applied with a portrait miniature, on a fish-skin base; a silver and enamel Box, Birmingham, 1907, maker’s mark of Liberty & Company, the cover with mottled green and blue enamel, on bun feet; and a gilt-metal and enamel Snuff Box.
A silver Bosun’s Whistle, Birmingham, 1863, maker’s mark of George Unite, of customary form, and a plated Whistle.
A silver-mounted micro-mosaic Box, Birmingham, 1906, with plain oval sides, the cover with a floral panel, hinge-pin broken, 3cm.; PAin.; a silver and mother-of-pearl Snuff Box, Chester, 1900, the rectangular cut cornered body with mother-of-pearl mounted cover with foliate engraving, and a tortoiseshell and copper gilt Box, the circular cover applied with polished hard stones, 6.5cm.;
A silver cased Travelling Paint Box, London, 1899/1907, the plain rectangular case with a pull-out slide containing seven watercolor blocks, on suspensor chain with pencil, 8cm.; 3in.
A silver-mounted double Scent Flask, English, circa 1870, with blue paneled glass body on chased foliate mounts, and a gold Watch Key, English, circa 1825, with hard stone panel .
A silver and tortoiseshell Trinket Box, Birmingham, 1915, maker’s mark of Mappin & Webb, the cover inlaid with festoons and garlands, on peg feet, oval, another similar, Birmingham, 1906; and a heart-shaped silver Pin Box, Birmingham, 1900.
A silver Belt Buckle, London, 1897; a cast silver Nurse’s Buckle; an Indian three-section Buckle; a Georgian paste set Buckle; a pair of metal Shoe Buckles; a gilt Buckle; and filigree Card Case, circa 1870; and another, similar .
A silver Vinaigrette, Birmingham,
1825, maker’s mark of Taylor & Perry,
leaf chased borders and engine-turned
base and cover with receded sides, foliate
pierced grille.
A Russian Egg Bonbonniere, St. Petersburg, circa 1900, maker’s mark untraced, the body engraved with architectural scenes on a geometric panel ground, with two screw-in compartments, 4cm.;
Four Russian silver-gilt and niello Spoons, Moscow, circa 1880, maker’s mark of Viktor Savinkov, the bowls engraved with architectural scenes,
A Russian silver-mounted Icon, Moscow, circa 1898, maker’s mark of N. N. Zverev, painted with the Virgin and Child, in a plain frost-gilded arched frame, 13cm.;
A Russian silver and niello Snuff Box, Moscow, 1834, the rounded rectangular case with foliate scroll decoration and gilt interior, 7cm.;
A silver Purse, London, import
mark 1907, chased frame; a silver mesh
Handbag; and two metal Chatelaine Bags.
A silver and enamel Figure,
Austrian, circa 1860, of a youthful toper
wearing a blue and green enameled
jacket and trousers, his head of carved
ivory, wearing an enameled and
mother-of-pearl hat, seated on a barrel
with his pet cat at his feet, enamel damage
and repair, 10cm. A silver-mounted terrapin shell Box, circa 1800, the scalloped mount enclosing a shell base and domed cover,
A silver Chatelaine, Birmingham, 1903, maker’s mark of L.E., with a cast and pierced clasp, paneled links and hung with a thimble case, vanity case, scissor case, tape measure case and bodkin case,
A silver-mounted cowries shell Box, London, 1809, maker John Robins,
of customary form with receded silver
mount, the cover with gilt interior,
A silver, agate and mother-of-
pearl Snuff Box, English, circa 1750, of
cartouche form, the hard stone plaque
with a foliate carved mother-of-pearl
border and mother-of-pearl base, minor
shell damage,
A silver-gilt Handbag Vinaigrette,
Birmingham, 1829, by Ledsam, Vale &
Wheeler, double-rope handle, the sides
engraved with shells.
A silver and enamel Vesta Case,
London, 1887, maker’s mark of
Sampson Mordan, the cover painted with
a small pack of foxhounds, the base with
engraved crest and motto,
A silver-colored metal Cigarette Case, Continental, circa 1910, with concealed inner case painted with a raven-haired nude reclining on a cushion-strewn couch, rectangular,
A silver-gilt and enamel Singing Bird Box, the rectangular case enameled in pale-blue, the cover painted with a putt conducting a chorus of song-birds perched on a leafy bough,
A silver-gilt and cloisonné enamel Singing Bird Box, Austro-Hungarian, circa 1880, maker’s mark of W.M., the case applied with filigree foliate scrolls, gem-set and enameled at intervals, hinged key compartment,
A good and large silver-gilt castle-top Vinaigrette, Birmingham, 1832, maker’s mark of Nathaniel Mills,
with floral carved borders, on engine-turned base and sides, fully marked, 5 by 3.5cm.

THREE PHOTOGRAPH FRAMES AND A CIGARETTE BOX, post 1900 dates, the former comprising: plain rectangular, engine-turned rectangular and rectangular with ribbon cresting, the box plain oblong above corner panel supports.

A THREE PIECE TEA SET, Sheffield, 1914/15, initialled oval, shaped reverted collars, the pot with composition handle and wood button.

A VICTORIAN HOT WATER JUG, Birmingham, 1897, flower chased baluster, spreading foot, composition handle and wood button, and a silver-necked glass Decanter, Birmingham, 1911, with stopper.

A GEORGE III SEVEN BOTTLE CRUET FRAME, London, 1787, festoon bright-cut, pattered and leaf band pierced oval, waved receded rim, claw and ball supports, central ring handle, wood base, with six silver-mounted glass bottles.

AN INKSTAND, Martin, Hall & Co., Sheffield, 1897, naivete-shaped with beaded border, ball and claw feet, two cut-glass square section bottles with plain silver covers, and a Dessert Dish, London, 1896,
crested pale-pierced oval, raised husk festoon motifs.

A GEORGE III MILK JUG, London, circa 1800, bombe oval, engraved initials in ribbon-tied shield, angular handle; Cream Jug, London, 1896, fluted helmet form, receded angular handle, oval foot; Peppertree, Birmingham, 1893, lancet-arch pierced ovoid vase form, associated cover, Victorian Peppertree, floral engraved octagonal, Spill Vase, spreading base, three George III Wine Labels, canted rectangular, engraved Holland’s, Sherry and Brandy; Berry Spoon, Later pierced and gilt; Meat Skewer, crested Kings pattern and foreign: Tea Strainer, German, import marked Edinburgh, 1942, pierced foliate, scroll and racially ornament.

A CHARLES II SEAL-TOP SPOON, Provincial, maker’s mark apparently WG, with fig shaped bowl and flattened hexagonal stem below gilt terminal, the seal prick engraved with initials and date 1667.

TWO GEORGE III NUTMEG GRATERS, London, 1799 and circa, egg-shaped, the former quite plain, the latter bright-cut engraved with leaf meander bands below leaf tips, (rasps wanting).

A VICTORIAN NUTMEG GRATER, George Unite, Birmingham, 1857, foliate engraved melon-fluted, the hinged cover revealing a hinged steel rasp.

A GEORGE III MUSTARD POT, London, 1818, crested bombe oblong with gadroon borders, angular handle and shell thumb piece and a Mustard Spoon, Sheffield, 1892, initialled.

A PAIR OF GEORGE III SALTS, London, 1762, crested circular with rims and scroll feet ending in shells, later crested circular, hoof supports and a single example. London. 1770. crested circular, cable rim and hoof suppose.

A PAIR OF VICTORIAN SALT CELLARS, George John Richards. London, 1848, wriggle work pierced drum shape below gadroon rims, applied scroll bracket feet.

ASSORTED SILVER, late Victorian or modern dates, comprising: Cream Jug, monogrammed part-lobed ovoid, angular handle, 4in; another, pan swirl-fluted oval, receded angular handle: another, compressed helmet form, with matching Sugar Bowl; Sauceboat, oval, shaped border, leaf-capped scroll handle; Bleeding Bowl, initialled, scroll pierced handles, Sugar Bowl, floral festoon embossed shallow circular, scroll feet; Ashtray, loop feet, Mustard Pot, crested part-lobed oblong; pair of Peppertrees, egg-shaped, ball feet and a pair of oval Salts.

TWELVE PAIRS OF FISH KNIVES AND FORKS, Sheffield, 1894, with vine leaf engraved blades and tines, plain ivory handles, case.

A SALVER, Walker and Hall, Sheffield, 1963, flower and leaf pierced circular below chased floral border, rim foot, reverse engraved inscription and facsimile signatures.

A HOT WATER JUG, The Bar nards, London, 1896, part facet-lobed vase form with beaded borders, spreading base and flared lip, wood scroll handle and urn finial.

A PAIR OF THREE LIGHT CANDELABRA, Goldsmith’s and Silversmith’s Co., Sheffield, 1919, crested tapered oval stems above spreading bases, receded twist arms with urn shaped sconces and detachable nozzles.

A PAIR OF CANDLESTICKS, Thomas Bradbury & Sons, London, 1903, tapered oval on spreading bases, urn shaped sconces and detachable nozzles.

A THREE PIECE TEA SET, Walker & Hall, Sheffield, 1895/96, monogrammed part-lobed oval, the Teapot with ebonized angular handle and fluted button.

A GEORGE II SUGAR CASTER, Samuel Wood, London, 1743, crested baluster vase shaped on spreading base, later chased with flowers and scrolls below swirl-pierced cover with bell finial.

A PARCEL-GILT GOBLET, Asprey& Co., London, 1972, ovoid cup with applied gilt fruiting vine, baluster stem and spreading foot, Georgian Punch Ladle, c.1780, initialled coin-set oval, (whalebone handle wanting); small Trophy; Hand Mirror, engine-turned, (plate cracked); Salt Spoon, (bowl detached) and foreign: French Beaker, c.1890, inscribed flared cylindrical, nine Ice Spoons, probably Chinese, with turquoise cabochon appliques and eleven Italian Teaspoons, with hammered coin bowls and mental or mythological terminals, (some detached).

A KETTLE AND PHOTOGRAPH FRAME, Sheffield, 1904 and London, 1905, the former compressed circular with step- domed cover and ebonized baton handle, (handle pin and lamp stand wanting); the latter plain rectangular with pierced ribbon surmount and velvet backing,

A COFFEE JUG, Wakeley & Wheeler, London, 1910, baluster, with shaped collar and applied hoof supports, chased in Rococo taste with vacant cartouche amidst scrolls, flowers and diaper ornament,
wood scroll handle and turned button.

A THREE PIECE TEA SET, Chester, 1900/01, girdle moulded ovoid vase-shaped, shaped edges and hoof supports, the teapot with composition scroll handle and button.
A GEORGE III TEAPOT, London, 1811, later initialled part-lobed oblong, gadroon border, ball feet and angular handle.

A GEORGE III SALVER, London, 1793, crested circular with moulded border, later chased with (lowers and scrolls, panel bracket feet.

A GEORGE III MUSTARD POT, Thomas Danielle and John Wall, London, 1782, plain oval with beaded borders, scroll handle with scallop thumb piece.

A GEORGE II PEPPER CASTER, London, 1754, later chased baluster vase form, panel pierced cover with bell finial, Sugar Bowl and Cream Jug, London, 1920/21, ovoid, scroll handles; two Sifter Ladles; pair of Sugar Tongs and plated: Lily pattern Sifter Ladle, c. 1870.

THREE CIGARETTE BOXES, Birmingham, 1922/62/65, engine-turned rectangular, one monogrammed, one inscribed.

A GEORGE III VEGETABLE DISH, Augustine Le Sage, London, 1767, plain shallow circular with gadroon border and raffia bound loop handles, the cover with turned wood handle.

AN ENTREE DISH, Martin, Hall & Co., Sheffield, 1903, canted rectangular with gadroon borders, the cover with detachable receded loop handle.

A TABLE BELL, Goldsmith’s and Silversmith’s Co., London, 1936, girdled customary flared form with moulded rim and tapered handle.

A PEPPERETTE, Sheffield, 1892, swag and leafy band embossed vase form, spreading foot. Sugar Bowl. London. 1882, hemispherical, scroll and hoof supports. 1894. Flower chased hemispherical, integral ceramic liners, (one cracked): Toast rack. modern, seven arched divisions on oblong frame with ball feet and foreign: American Tea Strainer, circular, scroll pierced handle.

A GEORGE III SPIRIT FUNNEL, London, 1773, compressed hemispherical with clip, detachable gadroon rim and detachable curved spout.

ANTIQUE TABLE SILVER, DESSERT FORKS, WINE FUNNEL

Table Silver, the majority initialled, comprising
three Table Forks, two Tablespoons, seven Teaspoons
and a Conserve Spoon, various patterns, the teaspoons
by John Walton, Newcastle, 1825/31, the others by
different makers, London, 1809 and Newcastle, 1819121;
three further Tablespoons and a Teaspoon, German,
late 19th Century, 22oz. 18dwt.

Six George III Old English Thread pattern
Dessert Spoons, crested, by Smith and Fearn, London,
1787, 7oz. 4dwt.

A George II Old English pattern Serving Spoon,
later initialled, by Ebenezer Coker, London, 1752, 3oz.
16dwt.

A George III Onslow pattern Silver Serving Spoon,
crested on the terminal reverse, probably by William
Tant (Grimwade No. 3905), London, 1765, 3oz.
6dwt.

A George III Fiddle pattern Serving Spoon,
initialled and crested, maker’s mark R.S, Dublin, 1815,
4oz. 9dwt.

A pair of George III Fiddle pattern Asparagus
Tongs, initialled, the blades pierced with stylized
foliage, by William Knight, London, 1816, 6oz.
9dwt.

Four Georgian Fiddle Shell pattern Dessert
Forks, crested on the terminal reverses, by J McKay,
Edinburgh, 1819120, Soz. 17dwt.

A pair of George III Old English pattern Sugar
Tongs, with bright-cut stems, by George Brasier,
London, 1793, loz. ldwt.

A George III Hanoverian pattern Silver Dessert Spoon,
by Hester Bateman, 1781; seven Fiddle pattern Tea spoons,
three by William Eaton, 1837, three by William Bateman II, 1833, the other 1821; and a Sait Spoon, 1820, ail London, ail initialled, 6oz. 13dwt.

A GEORGIAN WINE FUNNEL AND MATCHING STAND,
the body engraved with initiais within a wreath, detachable spout,
markedon body andspout, maker’s mark probably that ofB. Mountigue, 1794; the circular stand similarly initialled,
reeded borders throughout, by Mary Ann and Charles Reily, 1828, both London, 3oz. 17dwt.
A pair of George III Asparagus Tongs, with a reeded handle,
the blades pierced and bright-cut with foliate motifs,
by Peter, Ann and William Bateman, London, 1800, the handle by another.

SILVER SUGAR TONGS, BELL-SHAPED TWO-HANDLED CUP, SILVER TEASPOONS

A George III oval Milk Jug, engraved with armorials within
crossed foliate sprays and topped by scrolling leafage,
reeded rim and loop handle, 4xkin. high, by George Brasier, London, 1800, 4oz. 3dwt.

A GEORGE III SILVER BELL-SHAPED TWO-HANDLED CUP,
quite piain, initialled on the scroll handles, on a spread-
ing foot, maker’s mark of Alice and George
Burrows Struck over that of another, London, 1789.

A George III Wine Funnel, with detachable
spout, reeded borders, Sin. high, marked on body and
spout, by Robert and David Hennell, London, 1795,3oz.

FIVE PAIRS OF OLD ENGLISH PATTERN SILVER SUGAR TONGS,
with bright-cut stems, the majority initialled, two by
Hester Bateman, circa 1780, two by Godbehere and Wigan 1793195, the other by George Smith, circa 1780, all London; and a further pair,
similar, with shell bowls, by George N angle, Dublin, circa 1790, 13dwt.

Six George IV Fiddle pattern Teaspoons, initialled, by William Bateman,
London, 1820; and a Toddy Ladle, with part twisted whalebone handle,
apparently unmarked.

A George III Mustard Pot, of compressed
hexagonal form, flat chased with scroll, shell and floral
motifs incorporating a vacant cartouche, foliate scroll
handle, slightly domed lid and openwork heart-shaped
thumbpiece, gilt interior, 23fdn. high, marked on base
and lid, by Thomas Hobbs, London, 1806.

Twelve William IV Kings pattern Teaspoons,
initialled, by William Chawner, one only apparently
no maker’s mark, all London, 1832, 14oz. I4dwt.

A William IV Kings pattern Sauce Ladle,
initialled, by William Eaton, London, 1836, 3oz.

FOUR GEORGE III FEATHER EDGE PATTERN SAUCE
LADLES, crested, by Stephen Adams, London, 1780,7oz.

A George III Meat Skewer, crested below the ring
terminal, by Smith and Fearn, London, 1787, 3oz.

SILVER TEAPOT, GEORGIAN SHAPED CIRCULAR WAITER, DESSERT SPOONS

A GEORGIAN SHAPED CIRCULAR WAITER,
the centre engraved with armorials within a
rococo cartouche, flat chased with a band of
blooms, fruit, foliage and scrolls below the
raised and applied gadroon and shell border,
three hoof feet, 61kin. diam., probably by
William Homer, Dublin, circa 1760, 8oz. 4dwt.

EIGHTEEN WILLIAM IV DESSERT KNIVES AND EIGHTEEN FORKS,
with reeded handles, by William Eaton, London, 1836
(loaded, in fitted wood case).

A pair of William IV Fiddle pattern Sugar Tongs,
crested and flat chased with blooms and fouage on a
matted ground, shell bowls, by Josiah Low, Dublin,
1836, 2oz.

A George III Old English pattern Soup Ladle,
crested and initialled, with dog-tooth borders,
by Walter Tweedie, London, 1780, 4oz. 13dwt.

A pair of Georgian Sugar Nips, with scroll arms
and shell bowls, the hinge featuring a flowerhead,
Dublin, circa 1750, loz. 9dwt.

A GEORGE III BACHELOR’S TEAPOT, of oval form,
the borders bright-cut with a band of fouage on a linear
ground, later initialled on one side, straight spout, the
domed lid with vase-shaped finial, 472tn. high, marked
on base and lid, by Henry Chawner, London, 1795, 6oz.
3dwt.

FOUR QUEEN ANNE HANOVERIAN PATTERN
TABLESPOONS, later chased and bright-cut to form
Berry Spoons, the bowls in the form of leaves, three by
John Broake, one apparently no maker’s mark, London,
1700/1709 and circa, 8oz.

A PAIR OF GEORGE II BALUSTER CASTERS, applied
with a girdle, on spreading bases, the slip-on domed
Covers pierced with stylized foliage and flowerheads
below baluster finials, by Samuel Wood,
London, 1739, 8oz. 2dwt.

Two Berry Spoons and a Sugar Sifter, by different
makers, 1740/61/64, all London, 5oz. 7dwt. (excluding
fitted case).

TEN FIDDLE PATTERN DESSERT SPOONS,
crested or initialled, six by Thomas Death, 1823,
the others 1816/19/25, all London, 13oz.

SILVER LEMON STRAINER, DESSERT FORKS, SILVER CREAM JUG

A LEMON STRAINER, geometrically pierced, with
two openwork scroll handles,over handles,
maker’s mark TW (Grimwade No. 3848), London, circa
1775, 2oz. I5dwt.

Six George III Old English Thread pattern Tea-
spoons, crested, varions makers’ marks, 1786/1803/12,
all London, 3oz. 18dwt.

A GEORGE III OVAL ENTRE DISH AND COVER,
quite piain, the domed cover with detachable branch
loop handle, gadroon borders throughout, 10%in. wide,
marked on base and cover, by Peter and William Bateman, London, 1812, 34oz. 14dwt.

TEN GEORGE III OLD ENGLISH PATTERN DESSERT FORKS,
crested on the terminal reverses, by Eley,
Fearn and Chawner, London, 1809, 13oz. 16dwt.

A GEORGE II BALUSTER MUG, later chased with
scrolls, flowers, foliage and birds on a matted ground,
also incorporating a vacant rococo cartouche, scroll
handle, on a spreading foot, by Thomas
Rush, London, 1734, 5oz. 17dwt.

A George III Marrow Scoop, initialled, by William
Ellerby, 1804; three Old Engush pattern Tablespoons,
with crested terminals, the reverses later engraved
‘Nursery’, two by Eley and Fearn, 1799/1800, the other
circa 1768, all London; and a Caddy Spoon, initialled,
with bright-cut stem and fluted bowl, marks rubbed,
circa 1790, Soz. 19dwt.

A George III boat-shaped Cruet Base, with reeded rim,
wood base, on four panel supports, 71kin. wide,
marks rubbed, London, circa 1805 (later glass liner).

A GEORGE III BALUSTER CREAM JUG, crested, with
waved rim, double scroll handle, on three trefid feet,
3bkin. high, by David Mowden, London, 1765, 2oz.
3dwt.

A GEORGE III BALUSTER MUG, later chased with
flowers and foliage on a matted ground incorporating a
cartouche enclosing armorials, flat chased with a band
of leafage below the rim, leaf capped double scroll
handle, gilt interior, on a spreading base, Sin. high,
maker’s mark BM a mullet above (Grimwade No. 3492),
London, 1765, 12oz.

A GEORGE III BELL-SHAPED TWO-HANDLED CUP,
initialled above a reeded girdle, scroll handles,
trumpet foot, Sin. high, marked on base and handles,
probably by Benjamin Cartwright, London, 1766.

GEORGE II SILVER VASE-SHAPED CASTER, SQUARE DECANTER STAND, TORTOISESHELL SILVER SNUFF BOX

An oblong Basket, the wirework body applied with
a foliate and floral border, similar loop handles, reeded
ring foot, 123Uin. wide.

A hemispherical Bowl, qui te piain, on a moulded spreading base circa 1830.

A SQUARE DECANTER STAND, complete with four
cut glass bottles and stoppers, the frame with central
ring handle and on four ball feet, with gadroon and
reeded borders, Win. high, by T. & J. Creswick, circa
1810; and four silver rectangular Wine Labels,
engraved ‘Cocktail’, ‘Brandy’, ‘Liquor’ and ‘Whisky’,
with reeded borders, by Reily and Storer, London,
1839.

A GEORGE III SHAPED OBLONG SILVER TEAPOT, moulded with broad
vertical ribs to form bombe panels, bright-cut engraved
with two bands of formal stylized leafage above and below
two ribbon tied vacant oval cartouches, straight spout,
the domed lid similarly moulded below the pineapple finial,
marked on base and lid, by Charles Hougham,
London, 1789, 14oz. 12dwt.

AN OBLONG TORTOISESHELL SNUFF BOX, the lid
inset with a gilt-metal plaque finely cast and chased
with a shooting scene within an applied floral and
foliate border, later base, 27hin. wide, apparently
unmarked, circa 1820.

A GEORGE II VASE-SHAPED SILVER CASTER, applied with a
girdle at the Shoulder, on a spreading base, the domed
cover pierced with alternate panels of geometric and
foliate motifs, baluster finial, 6in. high, marked on base
and cover, by Samuel Wood, London, 1734, 5oz.

A Travelling Knife and two-pronged Fork, with mother-of-pearl
handles, the spines engraved ‘Rebe Lowndes’, apparently unmarked, circa 1790.

FIDDLE PATTERN TABLE SILVER, comprising four
Tablespoons, six Table Forks, eight Dessert Spoons,
six Dessert Forks, six Teaspoons and a Sugar Sifter,
various makers’ marks, dates between 1830 and 1842; and
an Hour Glass pattern Sauce Ladle, crested and later
initialled, by Eley and Fearn, 1816, all London, 47oz.
2dwt.

A George II baluster Pepperette, applied with a
girdle, initialled on the underside, on a spreading foot,
pierced and detachable bun cover, maker’s
mark I.W. unidentified (Grimwade No. 3693), London,
1751, loz. 17dwt.

A GEORGE II SHAPED CIRCULAR SILVER SALVER, engraved
with armorials within a rococo cartouche, raised and
applied scroll and shell border, on three hoof feet,
by William Peaston, London, 1753, 8oz.
7dwt.

A pair of Silver Wine Cups, Water Jug, An Egg Cruet, An Inkstand, Milk Jug and Sugar Basin

A George II Marrow Scoop, by Joseph Bell,
London, 1759, loz. 4dwt.

A Georgian Old Engush pattern Soup Ladle,
crested, with beaded borders, marks rubbed, London,
circa 1780, Soz. 9dwt.

An oval Teapot, bright-cut and wriggleworked
with bands of foliate motifs above and below two
roundels enclosing initiais and a crest, the domed lid
with button finial, 6in. high; and an oval Stand, crested
within a shaped cartouche and bright-cut with a band
of flowerheads on a linear ground, 9xUin. wide, both
circa 1800.

A pair of Wine Cups, the baluster bodies engraved
with later initiais, gilt interiors, on knopped pedestal
bases, 6lkin. high, circa 1830    ?60-80
7 An oblong Sauce Tureen, Cover and Stand, the
tureen decorated with lobes, with lion mask drop ring
handles, on a spreading base, the domed cover
engraved with initiais, detachable reeded ring handle,
piain stand, corded borders throughout,
circa 1810.

A SHAPED CIRCULAR SALVER, flat chased with a band
of rococo scrolls on a scale and diaper ground, also with
flowers and foliate branches, the raised and applied
gadroon border interrupted by leafage and floral
Clusters, on four volute supports, circa
1830.

An Egg Cruet, the sexfoil body raised on slender
panel supports and ball feet supporting a central salt cellar
above the ring cup holders, reeding throughout,
complete with egg cups, 53Uin. high, circa 1800.

A pair ot telescopic Table Candlesticks, the stepped
square bases part decorated with lobes rising to lobed
knops and cylindrical stems, detachable nozzles,
gadroon borders, 9in. high fully extended, circa 1805;
and a Chamber Candlestick, the circular pan support-
ing a cylindrical sconce and fixed nozzle, the Aying
scroll handle with crested flat thumbpiece, conical
extinguisher, reeded borders, circa
1800.

A Hot Water Jug of vase form incurved at the neck
below, the domed cover with bud finial, on circular
pedestal foot, beaded borders and raffia covered loop
handle, 91/an. high, circa 1790.

An Inkstand of waisted oblong form with two ring
holders, bun feet, the blue glass bottles with
plated mounts, beaded borders, 8in. long, circa 1800.

An oval Milk Jug and Sugar Basin, the moulded
bodies engraved with a vacant wreath between bands of
continuous scrolls incorporating flowerheads, reeded
rims and angular handles, gilt interiors,
high, the basin 7xl*in. wide, circa 1810.

SILVER TABLE CANDLESTICKS, STRAINING SILVER TEAPOT SPOON, CIRCULAR SILVER TEAPOT

SEVEN GEORGIAN HANOVERIAN PATTERN TABLE-
SPOONS, one with rat tail bowl, the majority initialled or
crested on the terminal reverses, various makers’ marks,
London, 1756/63/5 and circa, one only Dublin, 1728,
15oz. 3dwt.

A GEORGE II SILVER PUNCH LADLE,
the oval bowl with a single lip engraved with initiais
and a crest, turned wood handle, by David Hennell, 1746;
and another, similar, by William Garrard, 1743, both London.

EIGHT GEORGE III OLD SILVER ENGLISH PATTERN
TABLESPOONS, crested, two with bright-cut stems, six
by Peter and Ann Bateman, 1794, the other two 1783, alt
London, 17oz. 7dwt.

A GEORGE III STRAINING SPOON, the bowl
pierced on one side with saltires and pellets, the stem
initialled below a Coronet, wood handle, by Eley, Fearn
and Chawner, London, 1813.

TEN GEORGIAN FIDDLE PATTERN TABLESPOONS,
initialled, various makers’ marks, London, 1788/
1812/26, 23oz. 8dwt.

AN OVAL THREE-PIECE SILVER TEA SET, the bodies part
lobed above ring bases, the basin and jug with moulded
angular handles, the pot with domed cover and
wood handle and button finial, by the Goldsmiths’ &
Silversmiths’ Co., London, 1914, 24oz. 8dwt.

Seven George III Old Engush pattern Dessert
Spoons, initialled, various makers’ marks, London,
1772/1809/13, 7oz. 8dwt.

A GEORGE III RECTANGULAR SILVER SNUFF BOX
with chamfered corners, the rayed flush hinged lid
and base centred by bright-cut engraved bosses, similar
ornament at the borders and around the sides, 3in. wide,
marked on base and lid, by Phipps and Robinson, London, 1786.

A WILLIAM IV CHAMBER SILVER CANDLESTICK,
the shaped circular base lobed at intervals to form matted
panels cast and chased with blooms, the sconce in the form of a flower,
cast openwork leaf handle, 3lkin. diatn., by Reily and Storer, London, 1830, 2oz. 12dwt.

A GEORGE IV COMPRESSED CIRCULAR SILVER TEAPOT,
the Upper body chased with blooms, fruit and fouage
on a matted ground incorporating two vacant scroll and
foliate cartouches, the reeded loop llandle decorated
with flowers and a shell, the domed lid fluted at inter-
vals to form panels, flower finial, on four foliate and
shell supports, 6in. high,fully marked, by Charles Fox,
London, 1828, 21oz. lOdwt.